I was born and brought up in Poona (now renamed Pune), in Western India and spent most of my boyhood and adolescence there, going to school and then college before coming on a scholarship to Britain. I had been afforded a place to study Natural Sciences at Pembroke College Cambridge and flew from Bombay (now Mumbai) in September 1964 to begin my undergraduate studies.
It was the first time I had been out of India, though being the son of an Indian army officer who was transferred every few years from one Indian military station to another, I had travelled widely across India. When India was partitioned in 1947 and I was three years old, I had been brought by my sister and mother in a packed and protected military train from Quetta in Pakistan across the fatal dividing border.
I was twenty when I came to Britain, spent a week in a boarding house in South Kensington, and then ‘went up’ to Cambridge.
There were two other ‘foreign’ students in my year, Matty Kambona from Tanzania and a lad called Peters from Antigua in the Caribbean. There were no British-born students of ethnic origin in my year or in the University, though there were Indians and Pakistanis in other colleges. I soon made friends with several of them and noted a sort-of division that existed. Rajiv Gandhi, the then Prime Minister’s son was at Trinity, a year ahead of myself. He associated with what we regarded as an elite gang of rich Indians with whom we were acquainted, but who formed a separate group. They ate dinner in Cambridge restaurants rather than in ‘hall’ as we scholarship boys were compelled to do, and they were spirited away in limos to London or wherever at the weekends.
Taher Ayub, the son of the Pakistani dictator Ayub Khan, was at Kings. He surrounded himself with other Pakistani undergraduates and had luxurious rooms in the college opposite those occupied at the time by E.M. Foster, no less. Taher would invite Indian students to drinks in these rooms, to demonstrate that as a Pakistani there was no animus towards us. Exceptionally for an undergraduate, he had a bar in his rooms with every sort of available spirit and we weren’t reluctant to accept his invitations and be plied with these. He’d sit back, wearing a Pathan salwar khamiz in an easy chair from which he’d welcome us and shout to one of his acolytes in Urdu saying, “Can’t you see the guests have arrived, fetch and arrange the whisky.”
Neither Taher nor Rajiv passed their exams and, as per the University’s rule, had to leave after the single failure.
My college, Pembroke, required first year undergraduates to live in rooms in the courts of the college. In our second year we moved into the hostel-like houses which the college owned in the town. Each of these was supervised by the families of the college porters who ensured that we undergraduate tenants adhered to the rules. I didn’t.
During my second year at Cambridge my teenage girlfriend from Poona, Mala Sen, had, without seeking permission from her parents, come to Britain to be with me. It was virtually an elopement. She lived and worked in London, and I would either hitch-hike to her over the weekend or she would, on a rare occasion, come to Cambridge and spend the weekend with me. Having a girl in your room overnight was strictly against the rules and on one of these occasions the subterfuges we employed to dodge them failed. I was expelled from the house and spent a few days in the guest rooms of my college which were usually occupied by visiting professors and guests of Pembroke. Of course, the fact that I had been expelled for breaking the cardinal rule brought me the respect of the undergraduate population who considered my misdemeanour an enviable boldness.
I had to find accommodation very fast and was directed by the university’s housing agency to a tiny two-up-two-down house to rent in Trafalgar Street close to the centre of town. My friend Mathai Joseph who was at Churchill college was keen to leave his rooms in Churchill and moved in as the co-occupier.
Freedom from the rules of college and digs. No curfew, no supervision of who stayed. And of course, we had a kitchen, a bedroom each upstairs, and a spare room downstairs which friends would avail themselves of if they had girlfriends or guests. We had memorable times in our tiny and totally adequate house and many years later I wrote:
We fought our Cambridge house together,
The ghost of a locked-up bat-wool smell
Lay down for smoke injections from
Our almost panacean spell
Of joss-sticks,
Stale, three years from home
When neighbours gathered in a head
Like onlookers at accidents
With shrugging raincoats, playing dumb
And wishing that we hadn’t come
You set about to mend the fence
And hung our washing-line indoors.
‘Foreign students’ we played our parts,
Whispering when we stayed up late
With drunken friends to celebrate
Sergeant Pepper’s Lonely Hearts.
By winter the neighbours thawed their looks
We shivered like sparrow-hearted lovers
Our scholarships kept us cold in books,
We stacked them on the floors,
Took notes in their covers,
Inscribed the dates on the frontispiece,
A pretence we’d look at them again,
Remembered that we’d fooled ourselves
Packing and nailing and mailing them when
The house like a corpse gave up its lease.
Again these books demand their shelves,
To gather neglect in this Indian town
Where the buildings fall away in steps
(Like a queue of pilgrims walking down
To the river) becoming tin-roofed shacks
And where
The highway packs its dusty trucks
Off to less religious places,
Where kites like demons mock the roofs
And the urchins never wash their faces.
Unlike Rajiv Gandhi and Taher Ayub, I had fortunately passed my first and second-year exams. Havind studied Natural sciences, mainly Quantum Physics, the University deemed two years constituted a degree. A third year was still required, but in any discipline I chose. I switched from physics to English and had to do an extra term in the four-month summer holidays to catch up on Chaucer, Milton, practical criticism à la F R Leavis and other disciplines I had missed through the first two years of the English ‘Tripos’.
The University holds in June what are known as the May Balls. Each college hires bands to play, converts its halls into dance floors and bars, and holds a party for which the members of the college have to buy tickets, dress formally, and attend through the night. Around dawn the custom is to hire punts and for gangs of friends to punt down the river Cam to the village of Grantchester or go the other direction towards Ely.
On our last day of university we got a crowd of perhaps eighteen of us from various colleges, with our girlfriends or boyfriends, to meet at dawn and share three punts for the ride. As we poled the boats down the river we passed under several bridges. On one of these was a young man with several cameras hanging round his neck taking snaps of the boats as they passed. All of us, full of the night’s champagne were in high spirits. One of the girls stood up in the punt and letting down the top of her dress, took of her bra and shook her breasts at the camera. “If you want more, you’ll have to pay,” she shouted.
The young man clicked away. Of course, we laughed and shouted out to him asking what he was doing with the snaps. He came down from the bridge and talked to us from the banks. He said he was doing an article on Cambridge madness. Someone asked if it was just a photographic piece and he said no, he was working for an agency, but he hadn’t found a writer yet to supply the editorial to accompany the photographs.
Someone in my punt said, “You’ve just found one!”
We invited him to join us a few hours later in Trafalgar Street where we were all going to have breakfast after the punts. The photographer, Andrew, came. He signed me up to write the article, which I did. When I subsequently moved to London, he gave me occasional writing jobs and I was happy to be paid for them.
In London, I joined Mala in a bed-sitter in a rooming house in South Kensington. In the next street was my boyhood friend Adil Jussawala who also had a tiny bed-sit on the third floor of a Victorian terraced house. Before living in the city, I would often impose myself on Adil and sleep on his floor during the term breaks at Cambridge.
An accomplished poet at that age, in his twenties, Adil had already published distinguished collections of poems and continued to publish others in various literary journals. I was working at part-time jobs in the metropolis, washing dishes in the restaurant of the Roundhouse Theatre, walking dogs, hoovering houses etc. At the same time I was scribbling away writing stories and poems and being paid for articles I wrote every now and then for an agency.
Adil was invited to bring two other Indian poets to read at The London Poetry Society which had its small auditorium in Earls Court. He invited me and Hubert Nazareth, another immigrant from Bombay and a prolific poet, to form the reading trio.
The sponsors who invited us wanted, I felt, for us to present something which reflected our non-Britishness. I was naturally full of memories of India and even perhaps nostalgic and home-sick for its people and climate. I was writing fanciful pieces about back home at the time and decided to present a dramatic poem for several voices at The Poetry Society.
Our reading led to invitations at different venues, and we read our work as it progressed to several, I hope, appreciative audiences. It is reproduced for the first time since then, London circa 1968, at the end of this memoir.
One of the assignments Andrew called me to cover, was the first meeting of the Beatles with the Maharishi Mahesh Yogi. Together we went to the Hilton on Park Lane where the meeting was to take place. The army of reporters and camera crews outside were being held back from the hotel entrance by metal barriers and a police cordon.
None of us were to be allowed in.
It was 1967. I was wearing an Indian kurta over flared trousers and had long black hair and a beard. I was even wearing beads. We stood there disappointed until a limo drove up. George Harrison stepped out of it and was immediately attended by a police escort. He spotted me and asked “Do you want to come in?”
What else could I have answered?
He grabbed my wrist and started taking me past the cops. I grabbed Andrew and we were taken by Harrison through the Hilton entrance to the room where the Maharishi awaited the Beatles and Yoko Ono. We were the only reporters there.
After the encounter, as Andrew and I stepped out we were besieged by reporters and editors. They were clamouring with offers and deadlines, mentioning the number of words, the amount they’d pay and the time they wanted a write-up by. I could choose. The best offer, with a day to write the article at a length that suited me, and for a competitive fee, came from one Karl Miller, the editor of a very respectable weekly called The Listener. I opted for it and wrote the unflattering article about the four, Yoko and the Godman.
A few weeks later Karl Miller called to invite me to a writer’s drinks gathering at The Listener. Of course, I went. One of the other guests at the party asked me what I did, where I’d been, and the not unexpected social questions. When told what I’d read at Cambridge he seemed keenly interested. “If you were given the opportunity, how would you like to expand or pursue your interest in English studies?” he asked.
“If that ever happened, I would like to write a thesis on Kipling and India,” I said. “Well you can,” he replied. He said he was professor G S Fraser from Leicester University, and he would give me a scholarship to do precisely that for an MA. I took up the offer. Mala said she’d find a job in Leicester, and I would continue to write for a London agency called Forum World Features. Between us we’d manage food, clothes, shelter, and anything else.
I went to look for accommodation in Leicester. Not knowing the city at all, I went to estate agents who sent me on two different trips to several landlords with rooms to let. I was turned down at each-and-every one of these. The landlords or ladies would open their doors and say that the room had just gone. One or two were more direct saying they didn’t want ‘my type’ in their house and one even said she didn’t mind but her neighbours would if she rented the room out to a coloured person.
I went back to the estate agent and made my feelings plain and walked out, not knowing what to do next. As I walked towards the station a young lady from the agency came running after me. She worked there as a secretary and had heard what had happened. She was very sorry and very aware of the racism I had shouted about. I told her not to risk her job, and then she said my best bet, in fact a certain one, was to go to the Asian area of Leicester and look on the newsagents’ noticeboards where local lettings were advertised. I asked where this ghetto was, and she pointed me to Narborough Road.
She was right. I found a few numbers, was shown rooms and chose a ground floor let in a terraced house. The entrance was under the staircase with one room and a covered kitchen in the back yard and a toilet and shower actually in the yard. I called Mala.
We moved in a week later and I started my studies. She found a job with the gas board and after the rent and food we found we could afford half a pint of beer each on a Friday evening. We availed ourselves of such at the local pub, which was full of mainly Punjabi factory workers celebrating their weekly pay day with several pints of beer into the hours past midnight.
On one of these Friday evening jaunts we noticed five of the Punjabi workers seemed in depression and in heated conversation. We asked what the matter was and were told that they had been suspended from their factory for standing up to a white supervisor. The supervisor had insulted a female Punjabi worker who asked to leave the shift to go to the toilet. A fight ensued and the five were dismissed.
We asked if they had a trade union. They didn‘t. They were members of the Indian Workers Union, an organisation our good friend Sain Chaudhry thought good for nothing but fighting over Bhangra costumes. When we asked how many workers in the factory were Asian, we were told it was 90%. Great! We left the pub and went to the Students Union at Leicester university which was open all night at that time, and we cyclostyled leaflets in Punjabi and English alleging that the factory had been unfair to these workers. We then went outside the factory gates to waylay the first morning shift.
As we distributed leaflets and spoke to them, we persuaded every single worker to stay out and join our picket. The management and supervisor went in. In four or so hours they emerged and invited our ‘leaders’ for talks. Sain Chaudhry, two others, and Mala went in. They came out with an agreement. The strike was to end immediately, and the five workers would be reinstalled. The offending supervisor would face admonishment, and everyone would get a two per cent pay rise. There were loud cheers as the shift went back to work.
It was that incident that prompted the Indian Workers’ Association to invite myself and Mala to become Honorary Secretaries.
The episode had inspired several of the members to appreciate the effectiveness of strategic worker’s action. The Leicester IWA turned militant and in the next months achieved several radical victories —- desegregating a pub where the fascistic National Front used to hold meetings, joining rallies against Enoch Powell’s racist appeal, stopping an American propaganda film called the Green Berets about the Vietnam war, and several other actions. This series of activities culminated for myself and Mala in a conference of all black and radical organisations in Britain at the Alexandra Palace in north London in 1969.
It was at this conference, where a lot of speakers talked a load of rotten cliched Maoist rhetoric, that I first heard of the British Black Panther Movement. Their spokeswoman Althea Jones talked about the ex-colonial immigrant presence in Britain being the lowest rung of the British working class and being denied several political and social rights by the institutes of Britain and being victimised in several ways through institutional and individual racism.
It resonated, and I went up to her and her group after and asked if they accepted Asians. She pointed to two of the group saying, “What do you think they are?” I asked to join, and they said I had to participate in their activities as a sort of apprenticeship. I did. One of the tasks of this apprenticeship was to attend and write reports each evening of the proceedings in the Old Bailey of the trial of the Mangrove Nine. This was the famous trial of nine black defendants who had been arrested at a demonstration protesting the police’s constant harassment of a Caribbean restaurant called The Mangrove. One of the defendants was called Darcus Howe. He became my firm friend and joined the BPM at the end of the trial through which he was acquitted of all charges of conspiracy and affray.
The BPM published a weekly agitational newspaper called Freedom News. Its editorial policy, suggested to us by the Trinidadian writer and Marxist philosopher CLR James, was to relay in reports the incidents and experiences we had in our own working lives. So, a bus conductor would write about occurrences and emergencies he or she encountered at the bus garage or on a shift. I now had a steady job as a schoolteacher in a South London church school and I wrote regular, anonymous narratives of encounters and occurrences there.
Both Mala and I were invited by the leadership of the BPM to join it and were elected members of the Central Core. BPM activities became a dominant factor in our social lives. Two transforming episodes followed.
The BPM moved into a squatted property on 74 Railton Road in Brixton. The ground floor became a radical bookshop which was also named Freedom News. Above the shop there were two storeys of the Victorian flat-fronted terrace. Being deemed a responsible member whose friend, a young architect, would renew the upstairs rooms and convert them into two flats, I was asked to occupy one of them.
My friend Keith Cowling and I got to work and converted the rooms into two self-sufficient flats on a very tight budget. Keith was rewarded with the free tenancy of the first floor and I with the second.
At 4am on the 15th of March 1973 a firebomb was thrown through the glass frontage of the bookshop. Keith was away. I woke up with the smoke in my room stopping me breathing. I crawled from my mattress on the floor to the fireplace thinking I may have left the gas fire on by mistake. I hadn’t. I went to the door of the flat, still holding my breath and opened it. The fire was raging up the staircase. The door was pulling at my hand. I ran to the window overlooking the street and opened it, taking my first breath of air in more than a minute or two.
The glass front of the shop was exploding with fierce blasts outward, leaving burning glass fragments on the pavement. I had on only underwear. I lowered myself out of the window, gripped the ledge and let my body hang before kicking loose and dropping to the pavement, twisting my ankle, and suffering burns on my legs and body. By that time the neighbours were out in the street. They dragged me to safety. One brought a coat to cover me.
The fire engine came and as I sat on the neighbour’s steps opposite the burning 74 Railton, the Fire Chief said it was definitely a fire-bomb and did I have any enemies.I said, not personal ones or any that would want to kill me. The attack was obviously on the bookshop and what it stood for.
I phoned a colleague and close friend from the neighbour’s house. Her flatmate took the call. Without waking her, he and his girlfriend arrived in their car and drove me to the hospital where they attended to my burns and sprains.
The evening papers carried the story. Five shops and homes of Asian and black people had been fire-bombed that night. The police didn’t so much as question me. One former neighbour said he had seen a man on a scooter throw something in the direction of the bookshop but hadn’t realised that it was a bomb. Or anything more than a bottle which he’d drained. Wrong time, wrong place?
The BPM broke up a year later for reasons that would take too much space to analyse here. They were succeeded by an agitational collective based around a magazine called Race Today. Race Today was born in 1973-74 under the editorship of Darcus Howe. The magazine had existed before as the publication of the Institute of Race Relations, but its adoption of Darcus as its editor was a change of direction and purpose. I was one of its founding members and worked with it through the ‘70s and into the early ‘80s.
I was still writing anonymously about my teaching job when, in 1975, I was approached by an editor from Macmillan’s publishers who invited me to write a book of stories about second generation immigrant children. This editor Martin Pick, regularly read Freedom News and had tracked me down by asking his newspaper-seller, a member of the BPM, who wrote them. He then went to the Inner London Education Authority “to find a teacher called Farrukh, of which there couldn’t be many.”
I wrote the first book of mine to be published. Several others followed with different publishers in the UK and India. Right time, right place?
The books led to commissions from TV companies, film producers and even stage directors and theatres. And that led in 1984, the Chief Executive of Channel 4, Jeremy Isaacs to offer me the job of Commissioning Editor of Multicultural programmes at the two-year- old Channel.
I worked at it for fourteen glorious years. I commissioned, amongst hundreds of other genres and series, Darcus Howe my ex-editor to produce and present several series, current affairs, documentaries, and an aggressive no-hold-barred chat show called Devil’s Advocate. With both of us busy in television, Race Today continued under the editorship of other members of the collective, Leila Howe and the poet Linton Kwesi Johnson.
In the years after I resigned from Channel 4 and resumed my freelance writing career I kept in close touch with Darcus as one of my closest friends. On April 1st 2017, Darcus died. For his funeral, attended by thousands, I wrote this poem as a peroration:
I’m learning never to think of forever
Through the pain of realising all must pass
However strong, dynamic or clever
We face the fate of humankind, alas!
Forgive me D, I am no Shakespeare
The playwright whom you often liked to quote
I remember the lines, but now I fear
The memory has brought lumps to my throat
We thought, we fought, we strategized as one
You knew me inside out — as I knew you
I hate this past tense, it leaves love undone
And only history’s present keeps it true
You were so many things but in the end
I will think of you Darcus as my friend.
This is the dramatic poem for several voices which I wrote, and that a group of us performed in different venues around the country, circa 1968.
(FIRST VOICE)
I come of age in a foreign city.
Bothered whether to buy a ticket and go
Back with grace to choose a profession,
Count my talents
And thinking come up with no
Solution. Nothing applicable
Nothing to make me universally known.
Nothing to create its circle of friends
Or formations
Nothing I consider important enough
To renounce a home at a formal time each day to do.
You know from where I come
My complacence startles,
You lean forward,
Ask purposes,
Give advice,
Incorporate me in the compass of your view
Of what you believe is a remediable world.
I agree.
Then why do I talk this way?
Ready excuse: when asked I always say
There are others who will think to raise a shout Personally I was given no choice
Like sandpaper the senses have made smooth
Laboriously my roughnesses of voice.
(WOMAN’S VOICE)
Always threatened words this boy
His profit on it now the people deaf,
His language orphaned comes of age
Joins a small guerilla band
Keeps its unknown buttons brassed,
Too proud to stand under sentence, accept charity
Or come home.
Think how little born the child
A bare five pound to doctor’s scale
Yet of a size to be cared for and named.
How careful bred, the accelerated toys
To boost his ambition. Proved
No different from all the other boys
And should we be ashamed?
They said a horoscope would have named his trade
Made him a puppet to manipulating stars,
They said he should do insurance, law,
Join an up-and-coming- firm in Japanese cars
They called the child a compass,
To stir our married silence from the rocks
For his sake all the memsahib afternoons
Which shade away in verandahed houses kept
In neat retreat among the hollyhocks
In winter, bougainvillaea grown
Between the servants quarter-barracks and us.
Why all the fuss
Why does he blame us
We did
We tried
We looked after our own.
(FIRST VOICE)
Unintroduced to God or decent history
I made my heroes from among my friends
We went about with airguns after school
In small processions shuffling
Through lean streets carrying
The shared aegis, setting us apart
From the unseen people hurrying in the streets,
Our .22 pliant as a fracture
Snapping for a starved pigeon’s grease.
The birds fell like shuttlecocks,
Plumb-lines to our certainty of aim
Which searched in silence sloping eaves,
Expectant faces raised,
Like Iroquois to the distance
Thirsty for a kill,
Asking for more than rain.
Turning to signs, I left the guns behind
Negated new worship in imitation
Borrowed arguments from opponents
The catchy persuasion of a clenched phrase,
Learned to turn successively different smiles
To suit a changing fashion of awareness
I was sensitive, engage, political, culture–based, committed,
A smaller fish than cornered Caesar
Twisting at the stabs, but bore the wounds
A whale-sight better than he. Got up
After each performance, walked away
When the curtains took me safely out of view,
Licking make-up from every mock encounter.
Both politicians, we knew the price of play.
Scarry tissue maketh the man.
(CHORUS)
Don’t ask us, we’re only strangers
Thrown together by determination of day
You can scan our colours, clothes, quirks,
Search our eyes in the hunt for a new affair
What you must do is left to you
These things are beyond the gift of stranger’s prayer
Don’t try us, we are only brothers
Waiting like poor prompters in the wings
Speechless till the actor’s voice creates
The silence into which we have to dare
What you must do is up to you
These things are beyond the gift of brother’s prayer
Never ask us, we are only friends
Have known you in your leisure after work
Have heard the more precocious confidence
Which cost you less than courage to declare
Now you must do what you want to
These things are beyond the gift of friendly prayer
Your mother too must now confess
The promise of wealth and logic which
She filled you with was a way to make you grow,
The liar’s portion, the favourite’s share
So you must do what you have to
These things are beyond the gift of mother’s prayer
(SECOND VOICE)
If suffering were a new form of art
Our streets would be a gallery of infections
In changing styles. Be an accountant
Make inventories which tell the truth
Documentaries never described the features of the day.
What we start in preparation we end in habit
And then perhaps hate, like shooting pigeons
Or reading Time or talking about relationships.
Like an engine run by thermostat
You turn preparation on yourself, that last meanness
Impossible to dispense with.
Begin to speak to yourself, to turn yourself off.
For the others you may pretend
You come from the unbalanced end
Of a see-sawing universe,
Or better still emerge
From an unnamed patch on the verge
Of becoming industrialized,
Some hutted place a new highway succeeds
In turning into an ahistorical spot.
Invent your own language, polyglot
Mandarin English,
Vernacular for glue
To make a patchwork front,
Celebrate a god or two
Shiv or Laxmi, you know the sort
Gods of wealth plenty and procastinative sport.
(FIRST VOICE)
My kit is stuffed with unused ammo
Things I captured, wandering, from the foe
Like first-aid hoarded for needs once evident
Cures too elaborate for daily pain.
The anaesthetic of Indian light
Administered to keep the patient dull,
The antisepsis of curing heat
That probes with skill the deep bacterial skull
Of vendors and their rotting fruit alike,
The fights and kites in maidans
In the gathers of our long cooling hour
Which takes the bearers of lamps in processions home,
The record of a playback singer’s voice
Metallic through the speaker’s strung
On stilts above the celebrants
Like heads of elephants, rampant above the crowd.
Sounds and broken concentrations
Of music and people,
Machines dragged to service
At airports, on the plazas of temples
In the centres of cities
Alternately deserted, alternately warm
With throbbing and bodies and feet.
Empty again, naked in the heat,
The noon of tarmac, evening of failure
Within the city, its diurnal convalescence
Parched fountains, semi-official streets
Car-parks bare and flagstoned in the squares,
All these again to be my mart and bargain
Now I’ve chosen.
(CHORUS)
There are magic circles and times reserved
The sages have said and we have stumbled upon one.
Masters complain, they think it strange
Our ambit outside the labour exchange
(SINGLE VOICE)
Saab Chai pani nahi, bidi nahi, Kuch nahi ……
(CHORUS)
The hours pass, the cars pass
Along the broadened prospects of the town
They say that when we find our feet
Their highways will turn into venues of retreat
(SINGLE VOICE)
Saab list pe naam lagaya, Aur kya kare….
(CHORUS)
A boy went by with a skewered tongue
A gang of eunuchs danced before the gate Excited little comment from the queue
All we want is an honest job to do
(SINGLE VOICE)
Saab kya kahen, kitne din bekar bethe rahein.…
(CHORUS)
Our first voice was restlessness
Forced to our second, a quiet spell
We’ve crossed impatience, sterile as the date
From morning to evening we sit in the queue and wait
(SINGLE VOICE)
Saab babu ko bola, bola kaal aao…
(CHORUS)
They say you want employment too
A matter of purpose and not of work
You are not nameless, you have a face
You don’t have to share our static space
(SINGLE VOICE)
Saab mere liye nahin, bachon ke liye….
(VOICES FROM THE CHORUS)
(CHORUS)
They took the plough
They put a hammer in my hand
The spirit of things unbuilt is not grateful for what I do.
They took the plough
They put a pencil in my hand
The spirit of things unnamed is not grateful for what I do.
They took the plough
They put a truncheon in my hand
The spirit of men unruled is not grateful for what I do.
They took the plough
They put a rifle in my hand
The spirit of things alive is not grateful for what I do.
They took the plough
They touched my palm with just enough to eat
The spirit of the broken body is not grateful for what I do.
They moved us all
Afforded small privileges,
Like pawns we jumped a double space
To open a second rank’s access to blood.
The tiger tasting blood must hunt alone.
There’s no going back to the plough –
Gods of unbroken soil, forgive us.